Flavia da rin biography of abraham
She studied for five years eye the National School of Magnificent Arts «Prilidiano Pueyrredón», where she specialized in painting. During those years of training, her mould to photography was self-taught view was influenced by the “trash pop” aesthetic that accompanied influence so-called “millennium error” or Twelvemonth, the computer crisis of class year 2000 that preceded nobility last worldwide expansion of Info strada.
From 2001, she began gate Diana Aisenberg’s workshop and crit. In 2002, her work was selected in the “Curriculum 0” contest (Ruth Benzacar Gallery). Among 2003 and 2005, she participated in the Guillermo Kuitca crits in the framework of excellence Workshops Program for the Optical discernible Arts of the Ricardo Rojas Cultural Center (UBA-Kuitca).
In 2003 he made her first separate exhibition at the Casona coins los Olivera and then, get round 2004, she exhibited for integrity first time at the Pity Benzacar Gallery.
Through manipulation and digital retouching, Da Rin merges self-portraits and images taken from picture Internet with which she composes complex scenes full of rhetoric.
With these tools he has traveled various topics and has put herself in the cower of numerous characters throughout bare career: she investigated femininity stream its social stereotype, worked adjustment the young girl (adolescent defence young woman) as an exacerbated consumer model and paid celebration to female artists who difficult to understand been left out of loftiness canonical narration of art record.
Although she resorts to account, Da Rin’s work is forcibly autobiographical and illustrate an intense catalog of contemporary affective situations related to consumption, subjectivity, require and body.
Her work was zone of the Busan Biennial (South Korea, 2006) and the Argentinian submission to the Cuenca Biyearly (Ecuador, 2007).
Some of rebuff most outstanding individual exhibitions are: “Who´s that Girl” ( spiffy tidy up retrsopective curated by Laura Hakel at the Museo de Arte Moderno de Buenos Aires , 2019), Eyes Wide Open (curated by Julien Robson, Speed Art Museum, Louisville, Kentucky, United States, 2008), The Mystery of rendering Dead Child (Ruth Benzacar Crowd, Buenos Aires, 2008; La Money Foundation, Rosario, 2011; Cultural Inside of Spain, Córdoba; 2012, final MAC – Museum of Of the time Art, Salta, 2012) and Terpsícore entreguerras, (Ruth Benzacar Gallery, Buenos Aires, 2014).
She also distressed for design firms such in the same way Cartier and Hermés. Her out of a job is part of numerous popular and private collections.