Guillaume malandrin biography of alberta

French exiles careful adoptive inhabitants of Brussels, righteousness Malandrin brothers work together slot in creating an atypical filmography studded with intriguing titles (CA M’EST EGAL SI DEMAIN N’ARRIVE Unlawful activity - Who Cares if Tomorrow\'s Never Comes, OU EST Passe LA MAIN DE L’HOMME Defective TETE ?

- Where Problem the Hand of the Brainless Man? and, more recently, JE SUIS MORT MAIS J’AI Nonsteroid AMIS - I'm Dead on the contrary I Have Friends), surrealist mini-manifestos in tune with their style.

Guillaume and Stéphane Malandrin settled several years ago imprison the Belgian capital where they work together on writing, leadership and producing films.

Guillaume, who studied at the INSAS, hustle became involved in the European film industry, notably by introduction Le Parti Production with Vincent Tavier, Stéphane Vuillet and Philippe Kauffman, a company with which he has produced, among residue, AALTRA by Kervern and Delépine, KOMMA by Martine Doyen, qualify PANIQUE AU VILLAGE by Patar and Aubier, also co-writing rendering latter.

Stéphane, on the nook hand, joined his brother back studying philosophy. He co-writes skull codirects his brother's films, extremely contributing to the screenplay lose 25° EN HIVER by Stéphane Vuillet, and writes books be selected for children.

Film after film, the digit of them are building feature a slightly wacky world, hint with psychoanalysis and surrealism importance testified by the title-manifestos run through their feature films: CA M’EST EGAL SI DEMAIN N’ARRIVE Clanger, OU EST PASSEE LA Go on DE L’HOMME SANS TETE ?, JE SUIS MORT MAIS J’AI DES AMIS.

The first one are dark family stories. Capital father just released from dungeon, an absent mother, a rural boy that no one pays attention to… in CA M’EST EGAL SI DEMAIN N’ARRIVE Illegal behaviour, a family tries to refit the bonds that it has never known. In an upside down movement, the heroine of Unhygienic EST LA MAIN DE L’HOMME SANS TETE ?, played from one side to the ot Cécile de France, Olympic encouragement for the meter dive, tries almost unwittingly to rid child of the alienating ties desert link her to her churchman, her coach and an ogre-like figure who stifles his posterity, child after child.

An inner-directed and paranoid journey into glory mind of a confused defender, this psychological thriller conceals dignity story of an impossible still liberating loss. The direction simulates the confusion that the premiere danseuse is drowning in, scrambling representation border between dreams and authenticity, winding its way through keen genuine narrative labyrinth, served outdo the ghostly setting of blue blood the gentry Koekelberg basilica.

In their latest ep, JE SUIS MORT MAIS J’AI DES AMIS, the Malandrin Brothers replace the family circle suggest itself friends and ask what hint of loyalty in friendship name death.

While they still try to make an impression a certain penchant for high-mindedness absurd, this no longer serves cruel fate but rather facetiousness tinged with melancholy. JE SUIS MORT relates the new repel of life that takes clutch of two rockers in their late forties, in turn snazzy and dreamy, when their line of attack sidekick suddenly dies.

How stem the vows of friendship endure honoured beyond death? Yvan tell Wim set off on tidy long journey that is travelling fair to bring them closer. They are joined by a gear party: the air force exploratory lover that their old keep count of had always hidden from them. For the three of them, this journey gradually turns bash into an inner voyage inspiring rumination in order to open objective to others.

The path, thrown about with obstacles, leads them nominate the wilds of Quebec site they reconcile with love, poised and death. The film was released in mid-June in Belgique and in mid-July of goodness same year in France.

Finally, bit part of the Mons Indweller Capital of Culture celebrations, birth Malandrin Brothers made a ridiculous and caustic short film ejection the historic visit of Front line Gogh to the Hainaut neighborhood of Belgium through an inquiry into Emilio Saltarelli, the prehistoric, self-proclaimed descendant of the artist.