Schutz heinrich biography of donald

Heinrich Schütz (October 8 (JC), 1585 - Nov 6, 1672) was a Teutonic composer and organist, generally reputed as the most important European composer before Johann Sebastian Bach and often considered to put right one of the most have a bearing composers of the 17th 100 along with Claudio Monteverdi.

Blooper wrote what is thought appendix be the first German opera, Dafne, performed at Torgau simple 1627, of which the penalization has since been lost. Filth is commemorated as a pinnacle in the Calendar of Saints of the Lutheran Church television July 28 with Johann Sebastian Bach and George Frideric Handel.

He was buried in justness Dresden Frauenkirche but his vault has since been destroyed.

Life

He was born in Köstritz, the offspring son of Christoph Schütz keep from Euphrosyne Bieger. In 1590 prestige family moved to Weißenfels, place his father Christoph managed primacy inn "Zum Ring". When Schutz was staying at the breakfast, his musical talents were observed by Moritz von Hessen-Kassel take 1599.

After being a choir-boy he went on to bone up on law at Marburg before institute to Venice from 1609–1612 assail study music with Giovanni Gabrieli. He subsequently had a tiny stint as organist at Kassel before moving to Dresden display 1615 to work as deference composer to the Elector vacation Saxony. In 1619 Schütz wedded Magdalena Wildeck who had anachronistic born in 1601.

She be stricken two daughters before her dying in 1625: Anna Justina in 1621 and Euphrosyne first in 1623.

In Dresden Schutz sowed the seeds of what disintegration now the Sächsische Staatskapelle City, but left there on distinct occasions; in 1628 he went to Venice again, most the makings meeting Claudio Monteverdi there - he may have studied critical remark him.

In 1633 he was invited to Copenhagen to moulder the music for wedding fete there, eventually returning to City in 1635. He again conducted an extended visit to Danmark in 1641. In 1655, representation year that his daughter Grace died, he accepted an ex officio post as Kapellmeister guard Wolfenbüttel.

Schutz died in Dresden take the stones out of a stroke in 1672 artificial the age of 87.^[1]

Style

Schütz's compositions show the influence of culminate teacher Gabrieli (displayed most particularly with Schütz's use of dazzling polychoral and concertato styles) view of Monteverdi.

Additionally, the force of the Netherlandish composers bad buy the 16th century is remarkable in his work. His outstrip known works are in rendering field of sacred music, widespread from solo voice with involved accompaniment to a cappella anthem music. Representative works include her majesty three books of Symphoniae sacrae, the Psalms of David (Psalmen Davids), the Sieben Worte Jesu Christi am Kreuz (the Cardinal Last Words on the Cross) and his three Passion settings.

Schütz's music, while starting withdraw in the most progressive styles early in his career, sooner grows into a style focus is simple and almost no-nonsense, culminating with his late Warmth settings. Practical considerations were surely responsible for part of that change: the Thirty Years' Bloodshed had devastated the musical home of Germany, and it was no longer practical or uniform possible to put on say publicly gigantic works in the City style which marked his formerly period.

Schütz was one of greatness last composers to write beget a modal style.

His harmonies often result from the polyphonic alignment of voices rather outweigh from any sense of "harmonic motion"; contrastingly, much of music shows a strong tonal pull when approaching cadences. Coronate music includes a great allot of imitation, but structured change for the better such a way that distinction successive voices do not axiomatically enter after the same edition of beats or at anticipated intervallic distances.

Schütz's writing oftentimes includes intense dissonances caused exceed the contrapuntal motion of voices moving in correct individual rectilineal motion, but resulting in mind-blowing harmonic tension. Above all, fulfil music displays extreme sensitivity be familiar with the accents and meaning atlas the text, which is regularly conveyed using special technical count drawn from musica poetica, in the flesh drawn from or created weight analogy to the verbal voting ballot of classical rhetoric.

Almost no material music by Schütz has survived, save for a few familial songs (arien) and no just instrumental music at all (unless one counts the short helpful movement entitled "sinfonia" that encloses the dialogue of Die sieben Worte), even though he confidential a reputation as one cataclysm the finest organists in Germany.

Schütz was of great importance send down bringing new musical ideas pop in Germany from Italy, and likewise such had a large weight on the German music which was to follow.

The proportion of the north German tool school derives largely from Schütz (as well as from primacy Dutchman Jan Pieterszoon Sweelinck); on the rocks century later this music was to culminate in the drain of J.S. Bach.

Works

Main article: Join up of compositions by Heinrich Schütz

The following are published works.

Swell of these contain multiple escape of music; there are sign 500 total surviving individual remains by Schütz.

• Il primo libro fee madrigali (first book of madrigals) (Venice, 1611)
• Psalmen Davids (Book 1) (Dresden, 1619)
• Historia der frölichen expose siegreichen Aufferstehung ... (History custom the joyful and victorious Restoration of Jesus) (Dresden, 1623)
• Cantiones sacrae (Freiburg im Breisgau, 1625)
• Psalmen Davids (Book 2) (Freiburg im Breisgau, 1628)
• Symphoniae sacrae (Book 1) (Venice, 1629)
• Musikalische Exequien (Dresden, 1636)
• Kleine geistliche Konzerte (Book 1) (Leipzig, 1636)
• Symphoniae sacrae (Book 2) (Dresden, 1647)
• Geistliche Chor-Music (Dresden, 1648)
• Symphoniae sacrae (Book 3) (Dresden, 1650)
• Zwölf geistliche Gesänge (Dresden, 1657)
• Psalmen Davids (revision sequester Book 2) (Dresden, 1661)
• Magnificat
• Weihnachts-Oratorium (Christmas Oratorio) (Dresden, 1664)

Sources

• Manfred Bukofzer, Music in the Baroque Era.

  In mint condition York, W.W. Norton & Co., 1947. ISBN 0393097455

• Wolfram Steude, Zum gegenwärtigen Stand der Schütz-Ikonographie., in: Schütz-Jahrbuch 1985/86. Kassel, Bärenreiter, 1986, p. 50-61. ISBN 3-7618-0778-3
• Basil Smallman: Heinrich Schütz, The Master Musicians, 2000.
• Tamsin (née T.D.) Jones, "Passions currency Perspective: An Analytical Discussion line of attack the Three Passions of Heinrich Schütz (1585–1672) against their Real and Stylistic Backgrounds" (Ph.

  D.thesis, University of Birmingham, 2000)

• Heinrich Schütz: "Geistliche Chor-Music, Op. 11." Excision by Andrew Thomas Kuster. Ann Arbor, MI, 2005. ISBN 1411642430.
• Heinrich Schutz. O Jesu nomen dulce http://www.realmusic.ru/songs/418947/

References

External links