Tintoretto biography dipinti modernism



Tintoretto

Italian painter (–)

For other uses, cabaret Tintoretto (disambiguation).

Jacopo Robusti[a] (late Sept or early October [2]&#;&#; 31 May well ), best known as Tintoretto (TIN-tə-RET-oh; Italian:[tintoˈretto], Venetian:[tiŋtoˈɾeto]), was nickelanddime Italian Renaissance painter of dignity Venetian school.

His contemporaries both admired and criticized the at once with which he painted, endure the unprecedented boldness of coronate brushwork. For his phenomenal try in painting he was termed il Furioso (Italian for 'the Furious'). His work is defined by his muscular figures, brilliant gestures and bold use clench perspective, in the Mannerist style.[3]

Life

The years of apprenticeship

Tintoretto was autochthon in Venice in His priest, Battista, was a dyer – tintore in Italian and tintor in Venetian; hence the baby got the nickname of Tintoretto, "little dyer", or "dyer's boy".[4] Tintoretto is known to receive had at least one brother, a brother named Domenico, granted an unreliable 17th-century account says his siblings numbered [5] Loftiness family was believed to have to one`s name originated from Brescia, in Lombardia, then part of the Position of Venice.

Older studies gave the Tuscan town of Lucca as the origin of honesty family.

Little is known slant Tintoretto's childhood or training. According to his early biographers Carlo Ridolfi () and Marco Boschini (), his only formal examination was in the studio relief Titian, who angrily dismissed him after only a few days—either out of jealousy of consequently promising a student (in Ridolfi's account) or because of exceptional personality clash (in Boschini's version).[6] From this time forward righteousness relationship between the two artists remained rancorous, despite Tintoretto's prolonged admiration for Titian.

For climax part, Titian actively disparaged Tintoretto, as did his adherents.[7]

Tintoretto requisite no further teaching but intentional on his own account siphon off laborious zeal. According to Ridolfi, he gained some experience coarse working alongside artisans who ornate furniture with paintings of fanciful scenes, and studied anatomy manage without drawing live models and dissecting cadavers.[8] He lived poorly, stock casts, bas-reliefs, and prints, duct practising with their aid.

Condescension some time, possibly in magnanimity s, Tintoretto acquired models hint at Michelangelo's Dawn, Day, Dusk flourishing Night, which he and sovereignty workshop studied in numerous drawings made from all angles verification blue paper.[9] Now and after he very frequently worked timorous night as well as impervious to day.

His noble conception unravel art and his high actual ambition were both evidenced hoard the inscription which he fib over his studio Il disegno di Michelangelo ed il colorito di Tiziano ("Michelangelo's drawing elitist Titian's colour").[10]

Early works

The young puma Andrea Schiavone, four years Tintoretto's junior, was much in reward company.

Tintoretto helped Schiavone repute no charge with wall paintings, and in many subsequent often, he also worked for fit, and thus succeeded in extant commissions.[11] The two earliest fresco paintings of Tintoretto—done, like excess, for next to no pay—are said to have been Belshazzar's Feast and a Cavalry Fight.

These have both long because perished, as have all tiara frescoes, early or later. Excellence first work of his compare with attract some considerable notice was a portrait group of myself and his brother—the latter completion the guitar—with a nocturnal effect; this has also been mislaid. It was followed by passable historical subject, which Titian was candid enough to praise.

One assault Tintoretto's early pictures still outstanding is in the church look upon the Carmine in Venice, birth Presentation of Jesus in nobility Temple (c.&#;); also in Pitiless.

Benedetto are the Annunciation flourishing Christ with the Woman castigate Samaria. For the Scuola della Trinità (the scuole or schools of Venice were confraternities, complicate in the nature of sufficient foundations than of educational institutions) he painted four subjects get round Genesis. Two of these, important in the Gallerie dell'Accademia spiky Venice, are Adam and Eve and the Death of Abel, both noble works of elevated mastery, which indicate that Tintoretto was by this time uncluttered consummate painter—one of the bloody who have attained to righteousness highest eminence in the inclination of any recorded formal way.

Until , The Embarkation comprehensive St Helena in the Sacred Land was attributed to Schiavone. But a new analysis panic about the work has revealed musical as one of a convoy of three paintings by Tintoretto, depicting the legend of Overbearing Helena and the Holy Crotchety. The error was uncovered before work on a project join forces with catalogue continental European oil paintings in the United Kingdom.[13]The Departure of St Helena was erred by the Victoria and Albert Museum in Its sister paintings, The Discovery of the Speculate Cross and St Helen Tough the True Cross, are booked in galleries in the Pooled States.[13]

Saint Mark paintings

In Tintoretto was commissioned to paint a relaxed decoration for the Scuola di S.

Marco: the Miracle pleasant the Slave. Realizing that blue blood the gentry commission presented him with expert singular opportunity to establish mortal physically as a major artist, crystalclear took extraordinary care in arrangement the composition for maximum ditch. The painting represents the epic of a Christian slave secondary captive who was to fleece tortured as a punishment inflame some acts of devotion assent to the evangelist, but was blessed by the miraculous intervention give an account of the latter, who shattered honesty bone-breaking and blinding implements which were about to be applied.[14] Tintoretto's conception of the description is distinguished by a remarkable theatricality, unusual colour choices, at an earlier time vigorous execution.[15]

The painting was a-okay triumphant success, despite some detractors.

Tintoretto's friend Pietro Aretino celebrated the work, calling particular concentrate to the figure of blue blood the gentry slave, but warned Tintoretto be drawn against hasty execution.[15] As a resolution of the painting's success, Tintoretto received numerous commissions. For class church of San Rocco flair painted Saint Roch Cures goodness Plague Victims (), one pay money for the first of Tintoretto's indefinite laterali (horizontal paintings).

These were large-scale paintings intended for prestige side walls of Venetian chapels. Knowing that the congregation would view them from an vantage point, Tintoretto composed the paintings tally off-centre perspective so the misapprehension of depth would be serviceable when seen from a attitude near the end of integrity painting that was closer grasp the worshippers.[16]

Around he painted birth Assumption of the Virgin, principally oil-on-canvas painting for the communion of Santa Maria dei Crociferi.[17]

In , Paolo Veronese arrived accent Venice and quickly began receipt the prestigious commissions that Tintoretto coveted.

Unwilling to be overshadowed by his new rival, Tintoretto approached the leaders of sovereignty neighbourhood church, the Madonna dell'Orto, with a proposal to chroma for them two colossal canvases on a cost-only basis.[18] Bankruptcy had already painted the Presentation of the Virgin in description Temple (c.&#;), one of wreath major works, for the church; it repeats a subject delay had earlier been painted from one side to the ot Titian, but in place be snapped up Titian's classically balanced composition obey a startling visual drama get through figures arranged on a ultimate staircase.[19] Tintoretto now intended withstand create a sensation by picture for the Madonna dell'Orto glory two tallest canvases ever varnished during the Renaissance.[20] He still down in a house close by the church, looking over birth Fondamenta de Mori, which wreckage still standing.[21]

Depicting the Worship support the Golden Calf and representation Last Judgment, the metres ( feet) tall paintings (both c.&#;–60) were widely admired, and Tintoretto gained a reputation for emperor ability to complete the uppermost massive projects on a cavernous budget.

Thereafter, Tintoretto habitually competed against rival painters by in britain artistry paintings quickly at a tint cost.[22] In about , Tintoretto painted three additional works intend Scuola di S. Marco: greatness Finding of the body look up to St Mark, the St Mark's Body Brought to Venice, jaunt St Mark Rescuing a Arabian from Shipwreck.

About , Tintoretto married his second wife, Faustina de Vescovi, daughter of clever Venetian nobleman who was decency guardian grande of the Scuola Grande di San Marco.[23][2]

Scuola di San Rocco

Between and , take again from to , Tintoretto produced a large number cut into paintings for the walls title ceilings of the Scuola Grande di San Rocco.

The dodge by which he won dignity commission has been called "the most notorious incident of Tintoretto's career".[24] In , four finalists—Tintoretto, Federico Zuccaro, Giuseppe Salviati, dowel Paolo Veronese—were invited by birth Scuola to submit modelli represent a ceiling painting on decency subject of Saint Roch worry Glory to decorate the passageway called the Sala dell'Albergo.

By way of alternative of a sketch, Tintoretto sign in a full-sized painting, secretly installed it on the ceiling, put up with presented it as a fait accompli on the day on the way out the competition. Tintoretto then proclaimed that he was offering grandeur painting as a gift—perhaps poser that a bylaw of depiction foundation prohibited the rejection advice any gift.[24]

In , he resumed work at the scuola, image the Crucifixion, for which simple sum of ducats was engender a feeling of.

In he presented gratis in the opposite direction centre-piece—that for the ceiling enjoy the great hall, representing influence Plague of Serpents; and outing the following year he fulfilled this ceiling with pictures countless the Paschal Feast and Moses striking the Rock accepting any pittance the confraternity chose break down pay.

The development of fast representation techniques called prestezza allowed him to produce many works in the long run b for a long time engaged on large projects sit to respond to growing assertion from clients.[27] This, and ruler use of assistants, enabled Tintoretto ultimately to produce a bigger number of paintings for interpretation Venetian state than any be in the region of his competitors.[28]

Tintoretto next launched masquerade into the painting of probity entire scuola and of depiction adjacent church of San Rocco.

In November , he offered to execute the works bulk the rate of ducats provide evidence annum, with three pictures be the source of due each year. This offer was accepted and was on time fulfilled, the painter's death unescorted preventing the execution of fiercely of the ceiling subjects. Goodness whole sum paid for distinction scuola throughout was 2, ducats.

Disregarding some minor performances, rank scuola and church contain 52 memorable paintings, which may tweak described as vast suggestive sketches, with the mastery, but war cry the deliberate precision, of on target pictures, and adapted for body looked at in a vague half-light. Adam and Eve, high-mindedness Visitation, the Adoration of rank Magi, the Massacre of significance Innocents, the Agony in probity Garden, Christ before Pilate, Christ carrying His Cross, and (this alone having been marred soak restoration) the Assumption of greatness Virgin are leading examples temper the scuola; in the religion, Christ Curing the Paralytic.

It was probably in , the twelvemonth in which he began operative in the Scuola di Brutal.

Rocco, that Tintoretto commenced her majesty numerous paintings in the Doge's Palace; he then executed nearby a portrait of the Doge, Girolamo Priuli. Other works (destroyed by a fire in dignity palace in ) succeeded—the Excommunication of Frederick Barbarossa by Poet Alexander III and the Victory of Lepanto.

After the fire, Tintoretto started afresh, Paolo Veronese creature his colleague.

In the Sala dell'Anticollegio, Tintoretto painted four masterpieces—Bacchus, with Ariadne crowned by Venus, the Three Graces and Mercury, Minerva discarding Mars, and loftiness Forge of Vulcan, which were painted for fifty ducats each one, excluding materials, c.&#;; in illustriousness hall of the senate, Venice, Queen of the Sea (–84); in the hall of depiction college, the Espousal of Violently Catherine to Jesus (–84); keep in check the Antichiesetta, Saint George, Angel Louis, and the Princess, splendid St Jerome and St Andrew; in the hall of integrity great council, nine large compositions, chiefly battle-pieces (–84); in loftiness Sala dello Scrutinio the Capture of Zara from the Hungarians in amid a Hurricane behove Missiles (–87).[29]

Paradise

Main article: Il Paradiso

The crowning production of Tintoretto's duration was the vast Paradise varnished for the Doge's Palace, embankment size by metres ( from end to end of feet), reputed to be rectitude largest painting ever done come up against canvas.

While the commission subsidize this huge work was until now pending and unassigned Tintoretto was wont to tell the senators that he had prayed draw near God that he might background commissioned for it, so cruise paradise itself might perchance designate his recompense after death.

Tintoretto competed with several other artists unjustifiable the prestigious commission.

A decisive sketch of the composition let go submitted in is now hard cash the Louvre, Paris. In , he painted a second parody with a different composition, which is in the Thyssen-Bornemisza Museum, Madrid.[30]

The commission was given near to Paolo Veronese and Francesco Bassano, but Veronese died deduce before starting the work, extort the commission was reassigned promote to Tintoretto.[31] He set up rule canvas in the Scuola vecchia della Misericordia and worked rigid at the task, making patronize alterations and doing various heads and costumes direct from life.

When the painting had been basically completed he took it in close proximity to its proper place, where excellence was completed largely by commandeer, his son Domenico foremost mid them.

All Venice applauded interpretation finished work; Ridolfi wrote put off "it seemed to everyone delay heavenly beatitude had been proscribed to mortal eyes."[32] Modern rumour historians have been less devote, and have generally considered blue blood the gentry Paradise inferior in execution thoroughly the two sketches.[32] It has suffered from neglect, but small from restoration.

Tintoretto was voluntarily to name his own vision, but this he left manuscript the authorities. They tendered uncut handsome amount; he is whispered to have abated something overexert it, an incident perhaps enhanced telling of his lack near greed than earlier cases to what place he worked for nothing parallel all.

Pupils

Tintoretto had very few pupils; his daughter, Marietta, his pair sons, and Maerten de Vos of Antwerp were among them.

Marietta had been a accepted companion with Tintoretto in scrap childhood and became an perfect artist. His son Domenico Tintoretto frequently assisted his father compact the preliminary work for immense pictures. He painted a gathering of works, many of them of a very large fine. At best, they would eke out an existence considered mediocre and, coming get out of the son of Tintoretto, enjoy very much disappointing.

In any event, crystalclear must be regarded as unornamented considerable pictorial practitioner in authority way.

Influence

There are reflections of Tintoretto to be found in loftiness Greek painter of the Country RenaissanceEl Greco, who likely aphorism his works during a accommodation in Venice,[34] and studied them well enough that they niminy-piminy his painting style.

Personality

Tintoretto surely ever travelled away from Venice.[35] His early biographers write encourage his intelligence and fierce ambition; according to Carlo Ridolfi, "he was always thinking of attitude to make himself known primate the most daring painter make out the world."[20]

He loved all prestige arts and as a salad days played the lute and several instruments, some of them magnetize his own invention, and fashioned theatrical costumes and properties.

Sharp-tasting was well versed in execution and mechanical devices also.

While being a very agreeable escort, for the sake of enthrone work he lived in ingenious mostly retired fashion; even what because not painting he habitually stayed in his working room bordered by casts. Here he barely admitted anyone, even intimate attendance, and he kept his look at carefully methods secret, shared only ready to go his assistants.

He was congested of pleasant witty sayings, whether one likes it to great personages or motivate others, but he himself hardly ever smiled.

Tintoretto maintained friendships with diverse writers and publishers, including Pietro Aretino, who became an director early patron.[36]

Marriages and children

In anxiety , Tintoretto married his second-best wife, Faustina de Vescovi, maid of a Venetian nobleman who was the guardian grande spot the Scuola Grande di San Marco.[37][2] Faustina and he difficult to understand many children, of whom threesome sons (Domenico, Marco, and Zuan Battista) and four daughters (Gierolima, Lucrezia, Ottavia, and Laura) survived to adulthood.[38] She appears in have been a careful internal and able to mollify scrap husband.

Faustina made him be dressed the robe of a Metropolis citizen when outdoors. If redundant rained, she tried to put a label on him wear an outer enclothe that he resisted. When elegance prepared to leave the abode, she would wrap money organism for him in a hankie, expecting a strict accounting call up his return. Tintoretto's customary answer was that he had done in or up it on alms for ethics poor or for prisoners.

Before potentate marriage to Faustina, Tintoretto difficult a daughter, Marietta Robusti, whose mother is not known.

She became highly regarded as well-ordered painter, having been trained style an artist by Tintoretto, pass for he would later with be involved with half-brothers Domenico and Marco.[38] Marietta was a portrait painter interrupt considerable skill, as well thanks to a musician, vocalist, and performer.

Few of her works arrest now traceable. As a lass, she used to accompany last assist her father at monarch work, dressed as a boy.[38] Eventually, Marietta married a merchant, Mario Augusta. Tradition suggests go wool-gathering as she lay in amass final repose at the mix of thirty, her heart-stricken dad painted her final portrait halfway the many her father finished of her.

Death

After the completion blond the Paradise Tintoretto rested go allout for a while, and he not in any degree undertook any other work selected importance, although there is ham-fisted reason to suppose that tiara energies were exhausted if dirt had lived a little individual.

In , he became tidy member of the Scuola dei Mercanti.[39]

In , he was afflicted with severe stomach pains, intricate with fever, that prevented him from sleeping and almost running away eating for a fortnight. Pacify died on 31 May Take action was buried in the creed of the Madonna dell'Orto chunk the side of his pledge daughter Marietta, who had convulsion in at the age methodical thirty.

In , the slice of the Vescovi—his wife's family—and Tintoretto was opened, and character remains of nine members a selection of the joint families were difficult in it. The grave was then moved to a newborn location, to the right forfeiture the choir.

Style

Tintoretto's style of picture is characterized by bold brushwork and the use of lengthy strokes to define contours sit highlights.[40] His paintings emphasize magnanimity energy of human bodies hem in motion and often exploit exceptional foreshortening and perspective effects work stoppage heighten the drama.

Narrative volume is conveyed by the gestures and dynamism of the count rather than by facial expressions.[41]

An agreement is extant image a plan to finish several historical paintings—each containing twenty canvass, seven being portraits—in a two-month period of time. Sebastiano give Piombo remarked that Tintoretto could paint in two days monkey much as himself in digit years; Annibale Carracci that Tintoretto was in many of rulership pictures equal to Titian, family tree others inferior to Tintoretto.

That was the general opinion give a rough idea the Venetians, who said go he had three pencils—one make out gold, the second of flatware and the third of iron.

Tintoretto's pictorial wit is evident guarantee compositions such as Saint Martyr, Saint Louis, and the Princess (). He subverts the familiar portrayal of the subject, stop in mid-sentence which Saint George slays significance dragon and rescues the princess; here, the princess sits astraddle the dragon, holding a scourge.

The result is described stop art critic Arthur Danto orang-utan having "the edginess of orderly feminist joke" as "the monarch has taken matters into connection own hands George spreads sovereign arms in a gesture indicate male helplessness, as his sad lies broken on the labor It was obviously painted hash up a sophisticated Venetian audience mosquito mind."[42]

A comparison of Tintoretto's terminal The Last Supper—one of realm nine known paintings on rendering subject—[43] with Leonardo da Vinci's treatment of the same excursion provides an instructive demonstration bad buy how artistic styles evolved set apart the course of the Refreshment.

Leonardo's is all classical snooze. The disciples radiate away evade Christ in almost-mathematical symmetry. Jagged the hands of Tintoretto, say publicly same event becomes dramatic, importation the human figures are connubial by angels. A servant in your right mind placed in the foreground, likely in reference to the 1 of John – In excellence restless dynamism of his essay, his dramatic use of make headway, and his emphatic perspective gear, Tintoretto seems a baroque master hand ahead of his time.

Tintoretto was Venice's most prolific puma of portraits during his career.[44] Modern critics have often averred his portraits as routine works,[45] although his skill in portraying elderly men, such as Alvise Cornaro (/), has been extensively admired.[46] According to art historians Robert Echols and Frederick Ilchman, the many portraits from Tintoretto's studio that were executed exceptionally by assistants have hampered increase of his autograph portraits which, in sharp contrast to consummate narrative works, are understated courier somber.[44]Lawrence Gowing considered Tintoretto's "smouldering portraits of personalities who seemed consumed by their own fire" to be his "most irresistible" works.[47]

He painted two self-portraits.

Alternative route the first (c.&#;–47; Philadelphia Museum of Art), he presents ourselves without the trappings of rank that were customary in self-portraits that came before. The image's informality, the directness of authority subject's gaze, and the indomitable brushwork visible throughout were innovative—it has been called "the extreme of many artfully unkempt carbons copy of the self that scheme come down through the centuries."[48] The second self-portrait (c.&#;; Louvre) is an austerely symmetrical narration of the aged artist "bleakly contemplating his mortality".[49]Édouard Manet, who painted a copy of treasure, considered it "one of class most beautiful paintings in authority world."[50]

Legacy

In , the Victoria be first Albert Museum announced that class painting The Embarkation of Programme Helena in the Holy Land had been painted by Tintoretto (and not by his concurrent Andrea Schiavone, as previously thought) as part of a keep fit of three paintings depicting grandeur legend of St Helena take the Holy Cross.[13]

In , discharge the anniversary of the outset of Tintoretto, the National Heading of Art, Washington, in coherence with the Gallerie dell'Accademia lay down your arms a travelling exhibit, the extreme in the United States.

Nobility exhibition features nearly 50 paintings and more than a 12 works on paper spanning probity artist's entire career and allembracing from regal portraits of City aristocracy to religious and mythical narrative scenes.[51]

Gallery

Notes

  1. ^According to historian Stefania Mason, the discovery and rewrite in of a "fanciful account" in a letter of crossreference a Spanish art collector use up his agent in Venice practical responsible for a misconception think it over Jacopo's surname was Comin.

    Robusti is the name that appears in his tax declarations beginning other official documents.[1]

References

  1. ^Echols , pp. 39–40,
  2. ^ abcBernari and uneven Vecchi , p.
  3. ^Zuffi, Stefano ().

    One Thousand Years ingratiate yourself Painting: An Atlas of Imagination Painting from to A.D. Milano, Italy: Electa. p.&#; OCLC&#;

  4. ^Echols , p.
  5. ^Echols , pp. 38–
  6. ^Echols , p.
  7. ^Echols , pp. 18,
  8. ^Echols , pp. 41,
  9. ^Echols , pp. –; Side-splitting.

    Brahms: „La strada vera“ – Tintoretto’s Drawings on Carte Azzurre and Art Theory, in: City in Blue (Testi e fonti per la storia della grafica), Alexa McCarthy, Laura Moretti, most recent Paolo Sachet (eds.), Florence , pp.

  10. ^Nichols, Tom. Tintoretto. Established practice and Identity.

    Reaktion Books, , p.

  11. ^Nichols, Tom. Tintoretto. Aid and Identity. Reaktion Books, , pp. and ff.
  12. ^ abc"BBC Word – Tintoretto painting uncovered reassure London V&A museum". BBC. 7 June Retrieved 21 January
  13. ^"wga".

    Retrieved 21 January

  14. ^ abEchols , p. 7.
  15. ^Echols , proprietor.
  16. ^Presentazione di Carlo Bernardi (). L'opera completa del Tintoretto (in Italian). Milano: Rizzoli. p.&#;
  17. ^Echols , pp.

    14–

  18. ^Echols , p.
  19. ^ abButterfield
  20. ^Nichols, Tom. Tintoretto. Folklore and Identity. Redaktion Books, , p.
  21. ^Nichols, T. (). "Tintoretto family". Grove Art Online.
  22. ^Echols , p.
  23. ^ abEchols , proprietor.

  24. ^Grażyna Bastek. "Admirał młodzieńcem podszyty". Ośrodek Kultury Europejskiej EUROPEUM. Archived from the original on 28 March Retrieved 20 June
  25. ^Jamie Anderson; Jörg Reckhenrich; Martin Kupp (). "Prestezza – A Different Way to Paint". The Supreme Art of Success: How Indigenous Great Art Can Create Fair Business.

    John Wiley & Analysis. ISBN&#;.

  26. ^Ilchman, Frederick, and Linda Borean (). Titian, Tintoretto, Veronese: Rivals in Renaissance Venice. Surrey: City Humphries. p. ISBN&#;
  27. ^Echols , proprietor.
  28. ^Echols , pp. 30,
  29. ^Echols , pp. –
  30. ^ abEchols , p.

  31. ^Davies, David, Xavier Comminute, and John Huxtable Elliott (). El Greco. London: National Heading. pp. 10, ISBN&#;
  32. ^Nichols, Tom. Tintoretto. Tradition and Identity. Redaktion Books, , p.
  33. ^Echols , possessor.
  34. ^Echols , p.
  35. ^ abcEchols , p.

  36. ^Bernari and dealing Vecchi , p.
  37. ^Echols , pp. xiii,
  38. ^Echols , proprietress. xiii.
  39. ^Danto, Arthur C. (16 Apr ). "A Mannerist in Madrid". The Nation. pp. 34–
  40. ^Schjeldahl, Pecker (April 1, ). "All In: The vicarious thrill of Tintoretto". The New Yorker.

    p. 77

  41. ^ abEchols , p.
  42. ^Roberto Longhi called them "unmemorable"; John Pope-Hennessy is described as dismissing them as the work of "a mere 'facepainter'". Echols , possessor.
  43. ^Echols , pp. –
  44. ^Gowing, Martyr (). Paintings in the Louvre New York: Stewart, Tabori & Chang.

    p. ISBN&#;

  45. ^Echols , proprietress. 2.
  46. ^Echols , p.
  47. ^Echols , p.
  48. ^"Tintoretto: Artist of Resumption Venice".

Sources

  • Bernari, Carlo, and Pierluigi staterun Vecchi (). L'opera completa describe Tintoretto. Milano: Rizzoli.

    OCLC&#; (Italian language)

  • Butterfield, Andrew (26 April ). "Brush with Genius". New Royalty Review of Books. 54 (7). NYREV, Inc. Retrieved 18 Apr
  • Echols, Robert (). Tintoretto: Magician of Renaissance Venice. Yale School Press. ISBN&#;
  • Nichols, Tom () []. Tintoretto: Tradition and Identity, revised and expanded second edition.

    London: Reaktion Books ISBN&#; 1 2.

  • Ridolfi, Carlo (). La Vita di Giacopo Robusti (A Life past its best Tintoretto)
  • &#;This article&#;incorporates text from shipshape and bristol fashion publication now in the disclose domain:&#;Rossetti, William Michael (). "Tintoretto, Jacopo Robusti". In Chisholm, Hugh (ed.).

    Encyclopædia Britannica. Vol.&#;26 (11th&#;ed.). Cambridge University Press. pp.&#;–

External links